And the Oscar goes to…

Zum Abschluss der Awards Season wurden am 02. März 2025 die „Oscars“ – offiziell: Academy Awards – vergeben, für die einen die schönste Nebensache der Welt, für die anderen eine überflüssige Nabelschau der immer noch von Hollywood geprägten Filmindustrie.

Im Vorfeld werden oft die Favoriten schon ausgeguckt, meistens hängen sich die Stimmberechtigten dann einfach an und es gibt für einen einzigen Film einen wahren Oscarregen, auch in Kategorien, in denen er vielleicht gar nicht so überragend war.

Dieses Mal sind der vermeintliche Favorit „Emilia Pérez“ und vor allem die hochgehandelte Hauptdarstellerin Karla Sofía Gascón auf den letzten Metern vorzeitig aus der Kurve geflogen, wegen einiger älterer menschenverachtenden Tweets von Gascón. Ob das den Film insgesamt unbedingt schlechter hat werden lassen, ich weiß es nicht… In diese Bresche konnte dann die Stripperin-angelt-sich-reichen-Oligarchen-Liebesromanze „Anora“ springen, war das wirklich der beste Film des Jahres? Eine Frage, die man sich allerdings regelmäßig stellen mag – die einen sagen, so, die anderen so, Sieger auf jeden Fall in der Kategorie für die häufigste Verwendung des Wortes „f*ck“.

Ansonsten die kleine Überraschung, dass einmal ein Biopic mit einem hochgelobten Hauptdarsteller am Ende leer ausging, normalerweise ist so etwas eine sichere Oscar-Bank, aber die Bob-Dylan-Geschichte mit dem Hollywood-Darling Timothée Chalamet wurde nicht bedacht. 

Zwei Anmerkungen noch zu den Darstellerpreisen: Wann hören sie endlich damit auf, jemanden dafür auszuzeichnen, dass er in seinen Rollen stets so agiert, wie er auch im richtigen Leben ist (ich rede hier nicht von dem Brutalisten-Darsteller Brody) und warum nicht einer jungen Fachkraft erstmal ein paar Jahre Bewährung einräumen und dafür eine gestandene Darstellerin vorziehen, die auch sehr gut war und vielleicht nicht mehr so viele Chancen auf Wiederholung bekommt? Schafft vielleicht einfach die Kategorie „Vielversprechendes Talent“ ein, die es bei europäischen Filmpreisen schon lange gibt. Nur so eine Idee…

 

Hier nun aber die Nominierten und die Gewinner (fett):

Bester Film

- Anora

- Like a complete Unknown

- Konklave

- Der Brutalist

- Dune: Part Two

- Emilie Pérez

- Für immer hier

- Nickel Boys

- The Substance

- Wicked

 

Beste Regie

- Sean Baker (Anora)

- Brady Corbet (Der Brutalist)

- James Mangold (Like a Complete Unknown)

- Jacques Audiard (Emilia Pérez)

- Coralie Fargeat (The Substance)

 

Beste Hauptdarstellerin

- Mikey Madison (Anora)

- Cynthia Erivo (Wicked)

- Demi Moore (The Substance)

- Fernanda Torres (Für immer hier)

- Karla Sofia Gascón (Emilia Perez)

 

Beste Nebendarstellerin

- Zoe Saldaña (Emilia Pérez)

- Ariana Grande (Wicked)

- Felicity Jones (Der Brutalist)

- Isabella Rosselini

- Monica Barbaro (Like a Complete Unknown)

 

Bester Hauptdarsteller

- Adrien Brody (Der Brutalist)

- Timothée Chalamaet (Like a Complete Unknown)

-  Colman Domingo (Sing Sing)

- Ralph Fiennes (Konklave)

- Sebastian Stan (The Apprentice)

 

Bester Nebendarsteller

- Kieran Culkin (A Real Pain)

- Juri Borissow (Anora)

- Edward Norton (Like a Complete Unknown)

- Guy Pearce (Der Brutalist)

- Jeremy Strong (The Apprentice)

 

Bestes Originaldrehbuch

- Sean Baker (Anora)

- Brady Corbet, Mona Fastvold (Der Brutalist)

- Jesse Eisenberg (A Real Pain)

- Moritz Binder, TimFehlbaum, Alex David (September 5)

- Coralie Fargeat (The Substance)

 

Bestes adaptiertes Drehbuch

- Peter Straughan (Konklave)

- James Mangold, Jay Cocks (Like a Complete Unknown)

- Jacques Audiard u.a. (Emilia Pérez)

- RaMell Ross, Joslyn Barnes (Nickel Boys)

- Clint Bentley Greg Kwear u.a. (Sing Sing)

 

Beste Kamera

- Lol Crawley (Der Brutalist)

- Ed Lachman (Maria)

- Paul Guilhaume (Emilia Pérez)

- Greig Fraser (Dune 2)

- Jarin Blaschke (Nosferatu – Der Untote)

 

Bester Schnitt

- Sean Baker (Anora)

- Dávid Jancsó (Der Brutalist)

- Nick Emerson (Konklave)

- Juliette Welfling (Emilia Pérez)

- Myron Kerstein (Wicked)

 

Bestes Szenenbild

- Nathan Crowley, Lee Sandales (Wicked)

-  Judy Becker u.a. (Der Brutalist)

- Suzie Davies u.a. (Konklave)

- Patrice Vermette u.a. (Dune 2)

- Craig Lathrop u.a. (Nosferatu)

 

Bestes Kostumdesign

- Paul Tazewell (Wicked)

- Lisy Christl (Konklave)

- Linda Muir (Nosferatu)

- Adranne Phllips (Lie a Complete Unknown)

- Janty Yates David Crossman (Gladiator II)

 

Bestes Mak-up und beste Frisuren

- Pierre-Olivier Persin u.a. (The Substance)

- Mike Marino u.a. (A Different Man)

- Julia Floc Carbonel u.a. (Emilia Pérez)

- David White u.a. (Nosferatu)

- Frances Hannon u.s. (Wicked)

 

Beste Filmmusik

- Daniel Blumberg (Der Brutalist)

- Volker Bertelmann (Konklave)

- Clément Ducol, Camille (Emilia Pérez)

- John Powell, Stephen Schwartz (Wicked)

- Kris Bowers (Der Wilde Roboter)

 

Bester Filmsong

- El Mal (Emilie Pérez)

- The Journey (The Six Triple Eight)

- Like  Bird (Sing Sing)

- Mi Camino (Emilia Pérez)

- Never Too Late (Elton John: Never Too Late)

 

Bester Ton

- Gareth John u.a. (Dune 2)

- Tod A. Maitland u.a. (Like a Complete Unknown)

- Erwan Kerznet u.a. (Emilia Pérez)

- Simon Hayes u.a. (Wicked)

- Randy Thom u.a. (The Wild Robot)

 

Beste visuelle Effekte

- Paul Lambert u.a. (Dune 2)

- Eric Barba u.a. (Alien: Romulus)

- Luke Millar u.a. (Better Man)

- Erik Winquist u.a. (Kingdom ofthe Planet of the Apes)

- Pablo Helman u.a.(Wicked)

 

Bester Animationsfilm

- Flow

- Alles steht Kopf 2

- Memoir of a Snail

- Wallace & Gromit – Vergeltung mit Flügeln

- Der Wilde Roboter

 

Bester internationaler Film

- Für immer hier (Brasilien)

- Das Mädchen mit der Nadel (Dänemark)

- Emilia Pérez (Frankreich)

- Die Saat des heiligen Feigenbaums (Deutschland)

- Flow (Lettland)

 

Bester animierter Kurzfilm

- In the Shadow oft he Cypress

- Beautiful Men

- Magic Candies

- Wandert to Wonder

- Beurk! (Yuck!)

 

Bester Kurzfilm

- Ich bin kein Roboter

- A Lien

- Anuja

- The Last Ranger

- Der Mann, der nicht schweigen wollte

 

Bester Dokumentarfilm

- No Other Land

- Black Box Diaries

- Porcelain War

- Soundtrack to a Coup D’État

- Sugarcane

 

Bester Dokumentar-Kurzfilm

- Die einzige Frau im Orchester

- Death by Numbers

- I am Rady, Warden

- Incident

- Instruments of a Beating Heart

 

And the Oscar goes to...

Die diesjährigen Oscars wurden am 27. März 2022 in Hollywoods Dolby Theatre verliehen.

Die Gewinner sind (fett hervorgehoben):

 

Bester Film

“Belfast,” Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, producers

“CODA,” Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, producers

“Don’t Look Up,” Adam McKay and Kevin Messick, producers

“Drive My Car,” Teruhisa Yamamoto, producer

“Dune,” Mary Parent, Denis Villeneuve and Cale Boyter, producers

“King Richard,” Tim White, Trevor White and Will Smith, producers

“Licorice Pizza,” Sara Murphy, Adam Somner and Paul Thomas Anderson, producers

“Nightmare Alley,” Guillermo del Toro, J. Miles Dale and Bradley Cooper, producers

“The Power of the Dog,” Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, producers

“West Side Story,” Steven Spielberg and Kristie Macosko Krieger, producers

 

Bester Regisseur

Kenneth Branagh (“Belfast”)

Ryûsuke Hamaguchi (“Drive My Car”)

Paul Thomas Anderson (“Licorice Pizza”)

Jane Campion (“The Power of the Dog”)

Steven Spielberg (“West Side Story”)

 

Bester Schauspieler Hauptrolle

Javier Bardem (“Being the Ricardos”)

Benedict Cumberbatch (“The Power of the Dog”)

Andrew Garfield (“Tick, Tick … Boom!”)

Will Smith (“King Richard”) (Will, körperliche Gewalt sollte unter zivilisierten Menschen kein Mittel der Auseinandersetzung sein...)

Denzel Washington (“The Tragedy of Macbeth”)

 

Beste Schauspielerin Hauptrolle

Jessica Chastain (“The Eyes of Tammy Faye”)

Olivia Colman (“The Lost Daughter”)

Penélope Cruz (“Parallel Mothers”)

Nicole Kidman (“Being the Ricardos”)

Kristen Stewart (“Spencer”)

 

Bester Schauspieler Nebenrolle

Ciarán Hinds (“Belfast”)

Troy Kotsur (“CODA”)

Jesse Plemons (“The Power of the Dog”)

J.K. Simmons (“Being the Ricardos”)

Kodi Smit-McPhee (“The Power of the Dog

 

Beste Schauspielerin Nebenrolle

Jessie Buckley (“The Lost Daughter”)

Ariana DeBose (“West Side Story”)

Judi Dench (“Belfast”

Kirsten Dunst (“The Power of the Dog”)

Aunjanue Ellis (“King Richard”)

 

Bestes Adaptiertes Drehbuch

“CODA,” screenplay by Siân Heder

“Drive My Car,” screenplay by Ryusuke Hamaguchi, Takamasa Oe

“Dune,” screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth

“The Lost Daughter,” written by Maggie Gyllenhaal

“The Power of the Dog,” written by Jane Campion

 

Bestes Originaldrehbuch

“Belfast,” written by Kenneth Branagh

“Don’t Look Up,” screenplay by Adam McKay; story by Adam McKay and David Sirota

“King Richard,” written by Zach Baylin

“Licorice Pizza,” written by Paul Thomas Anderson

“The Worst Person in the World,” written by Eskil Vogt, Joachim Trier

 

Kamera

“Dune,” Greig Fraser

“Nightmare Alley,” Dan Laustsen

“The Power of the Dog,” Ari Wegner

“The Tragedy of Macbeth,” Bruno Delbonnel

“West Side Story,” Janusz Kaminski

 

Bester animierter Spielfilm

“Encanto,” Jared Bush, Byron Howard, Yvett Merino and Clark Spencer

“Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie

“Luca,” Enrico Casarosa and Andrea Warren

“The Mitchells vs. the Machines,” Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht

“Raya and the Last Dragon,” Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho

 

Bester animierter Kurzfilm

“Affairs of the Art,” Joanna Quinn and Les Mills

“Bestia,” Hugo Covarrubias and Tevo Díaz

“Boxballet,” Anton Dyakov

“Robin Robin,” Dan Ojari and Mikey Please

“The Windshield Wiper,” Alberto Mielgo and Leo Sanchez

 

Kostümdesign

“Cruella,” Jenny Beavan

“Cyrano,” Massimo Cantini Parrini and Jacqueline Durran

“Dune,” Jacqueline West and Robert Morgan

“Nightmare Alley,” Luis Sequeira

“West Side Story,” Paul Tazewell

 

Beste Originalfilmmusik

“Don’t Look Up,” Nicholas Britell

“Dune,” Hans Zimmer

“Encanto,” Germaine Franco

“Parallel Mothers,” Alberto Iglesias

“The Power of the Dog,” Jonny Greenwood

 

Bester Originalsong

“Be Alive” from “King Richard,” music and lyric by Dixson and Beyoncé Knowles-Carter

“Dos Oruguitas” from “Encanto,” music and lyric by Lin-Manuel Miranda

“Down To Joy” from “Belfast,” music and lyric by Van Morrison

“No Time To Die” from “No Time to Die,” music and lyric by Billie Eilish and Finneas O’Connell

“Somehow You Do” from “Four Good Days,” music and lyric by Diane Warren

 

Ton

“Belfast,” Denise Yarde, Simon Chase, James Mather and Niv Adiri

“Dune,” Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett

“No Time to Die,” Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor

“The Power of the Dog,” Richard Flynn, Robert Mackenzie and Tara Webb

“West Side Story,” Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy

 

Dokumentarfilm

“Ascension,” Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell

“Attica,” Stanley Nelson and Traci A. Curry

“Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie

“Summer of Soul (…Or, When the Revolution Could Not Be Televised),” Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein

“Writing With Fire,” Rintu Thomas and Sushmit Ghosh

 

Dokumentarkurzfilm

“Audible,” Matt Ogens and Geoff McLean

“Lead Me Home,” Pedro Kos and Jon Shenk

“The Queen of Basketball,” Ben Proudfoot

“Three Songs for Benazir,” Elizabeth Mirzaei and Gulistan Mirzaei

“When We Were Bullies,” Jay Rosenblatt

 

Schnitt

“Don’t Look Up,” Hank Corwin

“Dune,” Joe Walker

“King Richard”, Pamela Martin

“The Power of the Dog,” Peter Sciberras

“Tick, Tick…Boom!” Myron Kerstein and Andrew Weisblum

 

Bester Film International

“Drive My Car” (Japan)

“Flee” (Denmark)

“The Hand of God” (Italy)

“Lunana: A Yak in the Classroom” (Bhutan)

“The Worst Person in the World” (Norway)

 

Makeup und Hairstyling

“Coming 2 America,” Mike Marino, Stacey Morris and Carla Farmer

“Cruella,” Nadia Stacey, Naomi Donne and Julia Vernon

“Dune,” Donald Mowat, Love Larson and Eva von Bahr

“The Eyes of Tammy Faye,” Linda Dowds, Stephanie Ingram and Justin Raleigh

“House of Gucci,” Göran Lundström, Anna Carin Lock and Frederic Aspiras

 

Produktionsdesign

“Dune,” production design: Patrice Vermette; set decoration: Zsuzsanna Sipos

“Nightmare Alley,” production design: Tamara Deverell; set decoration: Shane Vieau

“The Power of the Dog,” production design: Grant Major; set decoration: Amber Richards

“The Tragedy of Macbeth,” production design: Stefan Dechant; set decoration: Nancy Haigh

“West Side Story,” production design: Adam Stockhausen; set decoration: Rena DeAngelo

 

Visuelle Effekte

“Dune,” Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer

“Free Guy,” Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick

“No Time to Die,” Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould

“Shang-Chi and the Legend of the Ten Rings,” Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver

“Spider-Man: No Way Home,” Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick

 

Live Action Kurzfilm

“Ala Kachuu – Take and Run,” Maria Brendle and Nadine Lüchinger

“The Dress,” Tadeusz Łysiak and Maciej Ślesicki

“The Long Goodbye,” Aneil Karia and Riz Ahmed

“On My Mind,” Martin Strange-Hansen and Kim Magnusson

“Please Hold,” K.D. Dávila and Levin Menekse

 

Die Oscar-Nominierungen 2022

Die Auszeichnung wird dieses Jahr am 27. März 2022 in Hollywoods Dolby Theatre verliehen.

Nominiert wurden:

Bester Film

“Belfast,” Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, producers

“CODA,” Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, producers

“Don’t Look Up,” Adam McKay and Kevin Messick, producers

“Drive My Car,” Teruhisa Yamamoto, producer

“Dune,” Mary Parent, Denis Villeneuve and Cale Boyter, producers

“King Richard,” Tim White, Trevor White and Will Smith, producers

“Licorice Pizza,” Sara Murphy, Adam Somner and Paul Thomas Anderson, producers

“Nightmare Alley,” Guillermo del Toro, J. Miles Dale and Bradley Cooper, producers

“The Power of the Dog,” Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, producers

“West Side Story,” Steven Spielberg and Kristie Macosko Krieger, producers

Bester Regisseur

Kenneth Branagh (“Belfast”)

Ryûsuke Hamaguchi (“Drive My Car”)

Paul Thomas Anderson (“Licorice Pizza”)

Jane Campion (“The Power of the Dog”)

Steven Spielberg (“West Side Story”)

Bester Schauspieler Hauptrolle

Javier Bardem (“Being the Ricardos”)

Benedict Cumberbatch (“The Power of the Dog”)

Andrew Garfield (“Tick, Tick … Boom!”)

Will Smith (“King Richard”)

Denzel Washington (“The Tragedy of Macbeth”)

Beste Schauspielerin Hauptrolle

Jessica Chastain (“The Eyes of Tammy Faye”)

Olivia Colman (“The Lost Daughter”)

Penélope Cruz (“Parallel Mothers”)

Nicole Kidman (“Being the Ricardos”)

Kristen Stewart (“Spencer”)

Bester Schauspieler Nebenrolle

Ciarán Hinds (“Belfast”)

Troy Kotsur (“CODA”)

Jesse Plemons (“The Power of the Dog”)

J.K. Simmons (“Being the Ricardos”)

Kodi Smit-McPhee (“The Power of the Dog

Beste Schauspielerin Nebenrolle

Jessie Buckley (“The Lost Daughter”)

Ariana DeBose (“West Side Story”)

Judi Dench (“Belfast”

Kirsten Dunst (“The Power of the Dog”)

Aunjanue Ellis (“King Richard”)

Bestes Adaptiertes Drehbuch

“CODA,” screenplay by Siân Heder

“Drive My Car,” screenplay by Ryusuke Hamaguchi, Takamasa Oe

“Dune,” screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth

“The Lost Daughter,” written by Maggie Gyllenhaal

“The Power of the Dog,” written by Jane Campion

Bestes Originaldrehbuch

“Belfast,” written by Kenneth Branagh

“Don’t Look Up,” screenplay by Adam McKay; story by Adam McKay and David Sirota

“King Richard,” written by Zach Baylin

“Licorice Pizza,” written by Paul Thomas Anderson

“The Worst Person in the World,” written by Eskil Vogt, Joachim Trier

Kamera

“Dune,” Greig Fraser

“Nightmare Alley,” Dan Laustsen

“The Power of the Dog,” Ari Wegner

“The Tragedy of Macbeth,” Bruno Delbonnel

“West Side Story,” Janusz Kaminski

Bester animierter Spielfilm

“Encanto,” Jared Bush, Byron Howard, Yvett Merino and Clark Spencer

“Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie

“Luca,” Enrico Casarosa and Andrea Warren

“The Mitchells vs. the Machines,” Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht

“Raya and the Last Dragon,” Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho

Bester animierter Kurzfilm

“Affairs of the Art,” Joanna Quinn and Les Mills

“Bestia,” Hugo Covarrubias and Tevo Díaz

“Boxballet,” Anton Dyakov

“Robin Robin,” Dan Ojari and Mikey Please

“The Windshield Wiper,” Alberto Mielgo and Leo Sanchez

Kostümdesign

“Cruella,” Jenny Beavan

“Cyrano,” Massimo Cantini Parrini and Jacqueline Durran

“Dune,” Jacqueline West and Robert Morgan

“Nightmare Alley,” Luis Sequeira

“West Side Story,” Paul Tazewell

Beste Originalfilmmusik

“Don’t Look Up,” Nicholas Britell

“Dune,” Hans Zimmer

“Encanto,” Germaine Franco

“Parallel Mothers,” Alberto Iglesias

“The Power of the Dog,” Jonny Greenwood

Bester Originalsong

“Be Alive” from “King Richard,” music and lyric by Dixson and Beyoncé Knowles-Carter

“Dos Oruguitas” from “Encanto,” music and lyric by Lin-Manuel Miranda

“Down To Joy” from “Belfast,” music and lyric by Van Morrison

“No Time To Die” from “No Time to Die,” music and lyric by Billie Eilish and Finneas O’Connell

“Somehow You Do” from “Four Good Days,” music and lyric by Diane Warren

Ton

“Belfast,” Denise Yarde, Simon Chase, James Mather and Niv Adiri

“Dune,” Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett

“No Time to Die,” Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor

“The Power of the Dog,” Richard Flynn, Robert Mackenzie and Tara Webb

“West Side Story,” Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy

Dokumentarfilm

“Ascension,” Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell

“Attica,” Stanley Nelson and Traci A. Curry

“Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie

“Summer of Soul (…Or, When the Revolution Could Not Be Televised),” Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein

“Writing With Fire,” Rintu Thomas and Sushmit Ghosh

Dokumentarkurzfilm

“Audible,” Matt Ogens and Geoff McLean

“Lead Me Home,” Pedro Kos and Jon Shenk

“The Queen of Basketball,” Ben Proudfoot

“Three Songs for Benazir,” Elizabeth Mirzaei and Gulistan Mirzaei

“When We Were Bullies,” Jay Rosenblatt

Schnitt

“Don’t Look Up,” Hank Corwin

“Dune,” Joe Walker

“King Richard”, Pamela Martin

“The Power of the Dog,” Peter Sciberras

“Tick, Tick…Boom!” Myron Kerstein and Andrew Weisblum

 Bester Film International

“Drive My Car” (Japan)

“Flee” (Denmark)

“The Hand of God” (Italy)

“Lunana: A Yak in the Classroom” (Bhutan)

“The Worst Person in the World” (Norway)

Makeup und Hairstyling

“Coming 2 America,” Mike Marino, Stacey Morris and Carla Farmer

“Cruella,” Nadia Stacey, Naomi Donne and Julia Vernon

“Dune,” Donald Mowat, Love Larson and Eva von Bahr

“The Eyes of Tammy Faye,” Linda Dowds, Stephanie Ingram and Justin Raleigh

“House of Gucci,” Göran Lundström, Anna Carin Lock and Frederic Aspiras

Produktionsdesign

“Dune,” production design: Patrice Vermette; set decoration: Zsuzsanna Sipos

“Nightmare Alley,” production design: Tamara Deverell; set decoration: Shane Vieau

“The Power of the Dog,” production design: Grant Major; set decoration: Amber Richards

“The Tragedy of Macbeth,” production design: Stefan Dechant; set decoration: Nancy Haigh

“West Side Story,” production design: Adam Stockhausen; set decoration: Rena DeAngelo

Visuelle Effekte

“Dune,” Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer

“Free Guy,” Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick

“No Time to Die,” Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould

“Shang-Chi and the Legend of the Ten Rings,” Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver

“Spider-Man: No Way Home,” Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick

Live Action Kurzfilm

“Ala Kachuu – Take and Run,” Maria Brendle and Nadine Lüchinger

“The Dress,” Tadeusz Łysiak and Maciej Ślesicki

“The Long Goodbye,” Aneil Karia and Riz Ahmed

“On My Mind,” Martin Strange-Hansen and Kim Magnusson

“Please Hold,” K.D. Dávila and Levin Menekse